Tuesday, February 18, 2020

The Big, Dirty Interview with The Big Dirty: February 2020


Peter: Chris, James, Jonny: I am so rapt to finally meet you after my introduction to your work through a tweet by @AnneEstellaRock. Anne he asked her Twitter audience what we were looking forward to most in 2020, to which you replied “Our new album!” That’s where I pipped in. Having listened to and thoroughly enjoyed what you guys have done to date, what can we expect from the upcoming collection?

The Big Dirty: Thanks, Peter. The new album shows a much more matured sound from us, at least in terms of song writing and production. We’re still playing fun, energetic and sleazy rock n roll, but we’ve honed our craft quite a lot since Sex Rock City. We have a better understanding of how we each think and operate, which has enabled us to write in such a way that really puts our individual talents to use like never before. As such, the music we’ve written is much more concise and coherent. We’ve got big anthemic choruses, gorgeous melodies, smutty lyrics, face melting solos, and some surprising twists and turns in our songs.

Chris (C Diddy) has also really been working hard on his production and engineering skills, and as a result the album is sounding bigger with much more depth and clarity than any of our other releases to date.

PG: And that hard work is certainly translating itself into your music. I can hear Guns n Roses in James and Chris’ work. Chris also gets into AC-DC/Angus Young from my listening. To whom else did each of you listen whilst you were growing up?

C Diddy: We’ve all got quite a broad musical taste, and we each listen to a wide variety of artists. I was a huge Ozzy fan as a kid. Zakk Wylde was my guitar idol but I also really enjoyed blues guitarists. I had a period of being massively into Stevie Ray Vaughan and these days I’m really enjoying Eric Gales’ work. I know Tobi was, and still is, a huge Fleetwood Mac/Stevie Nicks fan and J.C liked a lot of iconic rock from the 2000’s. Jonny was too drunk throughout his teenage years to remember any music!

PG: Well, rock and roll is always about sex and drugs and, obviously, drink was J.C.’s drug of choice and, from your spot with Anne recently, it’s something you all have in common. But what was it that first brought you guys to Northampton, and what brought you together?

J.C: We all grew up in Northampton, apart from Tobi. Jonny and I went to school together and played in a few bands before starting this one. We met Diddy after he did some work on our music video to Rhythm of My Drum, and shortly after he joined us when our old guitarist left. Tobi moved here about 6 years ago to join a band that are no longer together and moved into session drumming after that. When our old drummer, Dave, left the band, we recruited Tobi and now we’ve kind of cemented our sound, style and Identity as The Big Dirty.

PG: So a Big Dirty family tree would have a few branches in it. It certainly sounds like we have the core unit now. And I’m just as certain that I’ve heard “Rhythm” on the radio in Australia. I listen to @TripleJ, @DoubleJ, and @SWR999 and am definite that the hook has featured on one of these stations. Are you getting much support from radio, either locally or around the world? How much do bands rely on radio nowadays? With Bandcamp, SoundCloud, iTunes, Spotify, and the Interwebs in general, is it as important as it once was, do you think?

C Diddy: I think unless you’re in a bigger, more established band with lots of people pushing your music from behind the scenes, then it’s quite tricky to get some serious radio play. We’ve had a few tracks on some local stations but are yet to get onto more mainstream stations, although, with our music that might be difficult. At this early stage in our career, streaming is the best platform for reaching new fans. And while it does have disadvantages, for example how little you earn from it, it’s still widely used by consumers so you’ve got to adapt to it and exploit it as best you can.

PG: And that’s the biggest let-down: you can’t make a living doing this unless you’re big. I just hope this happens for you soon! Now, on the last album, you covered Chris Isaak’s “Wicked Game”. I have to say, I was knocked out by your version. What led you to choose that song to include on the album? Can we expect more cover-versions on the new record?

Jonny: I just love that song and have always thought it could be a great track to make a bit ‘rockier’. It’s got a lot of raw emotion in the lyrics and I thought it would be cool to translate that into the music as well. I think people really enjoy hearing it in a new light, and it’s always popular when we play it at gigs. Unfortunately there aren’t any covers on the new album, but we do play a few other covers live, which are always fun to do.

PG: That’s not a bad thing: fewer covers means more room for your own original material. In your interview with Anne Estella, you mentioned support of our recent bushfires through your outgoing merch at local gigs. Would this gear be available online as well for those gigs you would be streaming online?

TBD: When the new album is released we’ll also accompany it with a load of new merch. We’ll look at ways of getting this distributed worldwide. At the moment we’re kind of doing this ourselves, which is quite time consuming, so we definitely need to look at a more streamlined approach.

PG: Guys, it’s been an absolute pleasure. I am so looking forward to the new record and will be writing it up for sure!

TBD: Thanks dude! Appreciate it! Can’t wait to hear what you think of the new material!

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