Showing posts with label AC/DC. Show all posts
Showing posts with label AC/DC. Show all posts

Wednesday, May 27, 2020

Carmilla "Deflector" Album : released 19 April 2019

Carmilla had been building up to this point for nigh on 18 months, and it is a well-produced work that has been warmly received by this critic at least. Do yourself a favour and play this as the makers intended: old-school, tracks 1 to 11, in order. It will enhance the experience. 

1.       Avvia e Inizia – metallic instrumental piece arranged as a classical work, as the Italian title suggests. But the title literally translates to starts and starts which, for an opening album track, makes sense. A slightly romantic, slightly dark, slightly pedestrian introduction that could have run into Kings and could have been developed a whole lot more … perhaps it could be reprised on the next album with those ending effects leading into a whole operatic piece entitled E così via, per sempre?
 2.       Kings Of Religion – the more I hear Oksana’s voice the more I love this band. Usually when you sing in another language your accent doesn’t come through, but this is not the case with Oksana, which makes her quite unique but, as we have already seen, this is not all that makes her a wonder!
 3.       Stained Scars – Ahh classic industrial chunk-metal with double/quad kicks and layered, overlapping vocals for depth. 
 4.       Deflector – A study in multiple time-signatures with a staccato introduction experienced elsewhere in pop-metal, with great effect. Oksana’s vocals are mixed back somewhat, but this track is no less brutal for it. A more melodic and adventurous opus than we have experienced from Carmilla thus far and we should be hearing more from this track!
 5.       Blinders – Introduced like an AC/DC track, but only for a brief moment before kicking straight into what we have been dished with so far. Yes dished- like a degustation menu where you’re given small tastes of things to come with single releases, every new course of this record delights even more. From the so-called “pedestrian” introduction through Kings each track enhances the experience even more than the last. And we’re still to be served dishes we’re already tasted with chefs Håkan and Daniel working overtime in the kitchen to serve up more and better guitar-sounds and effects with which we’re now so familiar, but expanding and building through each new course. But which wine with each course? That’s for the discerning headbanger to determine! Maybe a malty ale or a well-aged whiskey?! Best served LOUD!
 6.       Devil’s Feast – The first single, so deep into this record. We know that few will listen to a record as it is presented, and may go for the singles first. Random-play may do this as well.
 7.       The Accuser – Just as I was about to say that this is a more laid-back effort, I am jolted back to reality. Do these guys know what laid-back is? Well, yes- they opened with it! Metal with an Eastern influence and a tilt at the classics.
 8.       Lizzy Borden – 19th-century American axe-murderer who killed her father and step mother, yet was never incarcerated. And with that same morbid fascination as Johnny Depp’s Sweeney Todd : The Barber of Fleet Street, this track has a fitting back-story. Håkan says that the lyrics were sent to the band by Elin Andersson, a fan of both the band and Borden, and lyricist on a number of the band’s other releases, including their debut Kiss Of Death. The track itself is in the story-telling style of Kings but more fitting to the story of the remorseless Massachusetts Sunday-school teacher-gone postal, pausing for effect as Lizzy did; each hit on the snare between the pauses echoing each swing of that misguided axe.
 9.       A Hundred Years of Failure – break out the doomsday bells, then kick us all in the face! Where has this been, Carmilla? We want more!! She doesn’t know why there is blood on her hands – maybe she should revisit the last track?!
 10.   What We Deserve – Bringing the mood down from 100 Years? The same Eastern influence as The Accuser and the same phrasing in the chorus as Kings but some melodic riffs woven throughout. It could almost be a medley of the album to date. Almost!
 11.   Lightbringer – The third single rounds out this collection perfectly! Brutal lyric-delivery, double-kick mayhem, and some pop-metal riffs added for colour at the bridge. Brilliant!

Carmilla "Deflector" is deserving of as much attention as possible. There is much to be said about the dark side of music from the Nordic regions, and Carmilla’s voice should be prominent in that conversation. The band has changed significantly since the release of this oeuvre, but this bookmark in their journey is a significant contribution to that discussion!
PG (Jacky) Gleeson
27 May 2020

Tuesday, February 18, 2020

The Big, Dirty Interview with The Big Dirty: February 2020


Peter: Chris, James, Jonny: I am so rapt to finally meet you after my introduction to your work through a tweet by @AnneEstellaRock. Anne he asked her Twitter audience what we were looking forward to most in 2020, to which you replied “Our new album!” That’s where I pipped in. Having listened to and thoroughly enjoyed what you guys have done to date, what can we expect from the upcoming collection?

The Big Dirty: Thanks, Peter. The new album shows a much more matured sound from us, at least in terms of song writing and production. We’re still playing fun, energetic and sleazy rock n roll, but we’ve honed our craft quite a lot since Sex Rock City. We have a better understanding of how we each think and operate, which has enabled us to write in such a way that really puts our individual talents to use like never before. As such, the music we’ve written is much more concise and coherent. We’ve got big anthemic choruses, gorgeous melodies, smutty lyrics, face melting solos, and some surprising twists and turns in our songs.

Chris (C Diddy) has also really been working hard on his production and engineering skills, and as a result the album is sounding bigger with much more depth and clarity than any of our other releases to date.

PG: And that hard work is certainly translating itself into your music. I can hear Guns n Roses in James and Chris’ work. Chris also gets into AC-DC/Angus Young from my listening. To whom else did each of you listen whilst you were growing up?

C Diddy: We’ve all got quite a broad musical taste, and we each listen to a wide variety of artists. I was a huge Ozzy fan as a kid. Zakk Wylde was my guitar idol but I also really enjoyed blues guitarists. I had a period of being massively into Stevie Ray Vaughan and these days I’m really enjoying Eric Gales’ work. I know Tobi was, and still is, a huge Fleetwood Mac/Stevie Nicks fan and J.C liked a lot of iconic rock from the 2000’s. Jonny was too drunk throughout his teenage years to remember any music!

PG: Well, rock and roll is always about sex and drugs and, obviously, drink was J.C.’s drug of choice and, from your spot with Anne recently, it’s something you all have in common. But what was it that first brought you guys to Northampton, and what brought you together?

J.C: We all grew up in Northampton, apart from Tobi. Jonny and I went to school together and played in a few bands before starting this one. We met Diddy after he did some work on our music video to Rhythm of My Drum, and shortly after he joined us when our old guitarist left. Tobi moved here about 6 years ago to join a band that are no longer together and moved into session drumming after that. When our old drummer, Dave, left the band, we recruited Tobi and now we’ve kind of cemented our sound, style and Identity as The Big Dirty.

PG: So a Big Dirty family tree would have a few branches in it. It certainly sounds like we have the core unit now. And I’m just as certain that I’ve heard “Rhythm” on the radio in Australia. I listen to @TripleJ, @DoubleJ, and @SWR999 and am definite that the hook has featured on one of these stations. Are you getting much support from radio, either locally or around the world? How much do bands rely on radio nowadays? With Bandcamp, SoundCloud, iTunes, Spotify, and the Interwebs in general, is it as important as it once was, do you think?

C Diddy: I think unless you’re in a bigger, more established band with lots of people pushing your music from behind the scenes, then it’s quite tricky to get some serious radio play. We’ve had a few tracks on some local stations but are yet to get onto more mainstream stations, although, with our music that might be difficult. At this early stage in our career, streaming is the best platform for reaching new fans. And while it does have disadvantages, for example how little you earn from it, it’s still widely used by consumers so you’ve got to adapt to it and exploit it as best you can.

PG: And that’s the biggest let-down: you can’t make a living doing this unless you’re big. I just hope this happens for you soon! Now, on the last album, you covered Chris Isaak’s “Wicked Game”. I have to say, I was knocked out by your version. What led you to choose that song to include on the album? Can we expect more cover-versions on the new record?

Jonny: I just love that song and have always thought it could be a great track to make a bit ‘rockier’. It’s got a lot of raw emotion in the lyrics and I thought it would be cool to translate that into the music as well. I think people really enjoy hearing it in a new light, and it’s always popular when we play it at gigs. Unfortunately there aren’t any covers on the new album, but we do play a few other covers live, which are always fun to do.

PG: That’s not a bad thing: fewer covers means more room for your own original material. In your interview with Anne Estella, you mentioned support of our recent bushfires through your outgoing merch at local gigs. Would this gear be available online as well for those gigs you would be streaming online?

TBD: When the new album is released we’ll also accompany it with a load of new merch. We’ll look at ways of getting this distributed worldwide. At the moment we’re kind of doing this ourselves, which is quite time consuming, so we definitely need to look at a more streamlined approach.

PG: Guys, it’s been an absolute pleasure. I am so looking forward to the new record and will be writing it up for sure!

TBD: Thanks dude! Appreciate it! Can’t wait to hear what you think of the new material!